Category Archives: Anecdotage

Confessions of a Snow Friend

In the summer of 2015 the local council called for volunteers to be ready to grit and clear pavements in case of a heavy snowfall in the coming winter. It sounded like a satisfyingly mindless yet civic-minded thing to do, and also something I could square in my mind with a natural reluctance to help a Tory-run council.

No local authority of any political persuasion had ever cleared snow from pavements as far as I know, so it wouldn’t be as if I was making it easier for the council to quietly stop doing something it had previously taken responsibility for. The only time I’ve seen a city employee clearing snow from pavements was in 1980’s West Berlin. It was early morning, just hours after heavy snow had started to fall, and a man was operating a sort of mechanical pavement plough. He wore no gloves, I recall. No wonder the German army was so close to defeating Russia in WW2.

Back to 2015 and a small band of volunteers – not one of us under 50 – met at Kingston council’s offices to receive instructions about when to grit, and to get taken through a few health and safety dos and don’ts. Then we were issued with warm gloves, anti-slip snow grippers, a big snow shovel and a hi-viz yellow tabard emblazoned with the Snow Friends logo. The grit caddies would be delivered later.

I made my way home in bright sunshine wearing shorts and sunnies and incongruously carrying a two-metre  snow shovel.

I waited for the worst the winter could throw at New Malden
It was a long wait. There was no snow in the winter of 2015/16 or again the following year. But then came 2018 and the warnings about the Beast from the East. My time had come. But where was the grit? I asked the council’s twitter feed and within a few days about 20 kilos of the stuff arrived in a big plastic container. The idea is to scoop out about two kilos at a time into a smaller caddy and use a small hand shovel to scatter it on the pavement as you slowly walk along. Then you go back and refill.

An email from the council provided a weather forecast but fell short of actually telling us when we should get to work, which I thought was a bit lame. So I kept listening to the BBC, checking Metcheck and asking Siri and Alexa until, on a cold day in late February, everyone agreed that snow was imminent. To the dressing-up box!

There was proper snow after the Beast from the East. This pic was taken a few weeks later, during the Least from the East.

First, I tried out my improvised pavement grit spreader, a repurposed garden tool designed for spreading grass seeds. I assembled the contraption, filled it with a handful of grit, gave it a little push and it seemed to work. My stroke of inspiration meant I wouldn’t have to keep going back for grit refills.

Gritspreader not fit to grit
However, my test drive in the garden wasn’t indicative of actual conditions out in the field, or rather the pavement. A full load of grit clogged the spreader’s outlets, resulting in only a few grains falling through as I pushed the thing forwards. So I tried a vigorous up-and-down shaking motion as I walked, looking like someone with Parkinson’s struggling to control an unruly garden implement. The technique lasted just a few steps before I inadvertently yanked the handle out of the hopper part. I picked up the pieces and took them home.

Clearly not designed for heavy-duty gritting work. Any fool can see that.

When two gritters meet
So it was back to the council-approved manual method. I started gritting the route I take when I’m walking to the railway station, which is to say the route most commuters, somewhat bizarrely, don’t. (A spatial phenomenon I bored blogged about here).  I’d only got half-way down the road when I spotted a council worker rapidly advancing towards me. He was gritting the pavement too, using a rugged hand-operated grit spreader that was clearly designed for the purpose, unlike my lightweight plastic effort. The grit was spraying out evenly in an impressive metre-wide arc. He ran while he gritted, which I thought was keen. He clattered past without a word, spreading grit more efficiently over where I’d just been with my laborious and now decidedly analogue scoop-and-scatter technique.

There was no point continuing, so I switched routes. Remembering my earlier commitment to civic-mindedness, I chose the route that people actually take as they head to the station, even though they’re clearly wrongheaded about this.

I devise a plan to prevent the problem of double-gritting
I reached about half way to the station before exhausting my supply of grit. Back home, I emailed the council requesting more. I also annotated a Google map showing where I’d been. Perhaps, I suggested, they might post an interactive version of the map on the council’s website so that volunteers could see where fellow Snow Friends had gritted, thus eliminating duplication.

They were so overwhelmed with the brilliance of my brainwave that they were rendered incapable of forming a coherent response, or indeed an incoherent one. My email went unheeded, my grit caddy was never replenished and, despite more snow falling and ice forming over the following days, my Snow Friend days appeared to be at an end. But if my efforts helped prevent just one child from slipping into the path of an out-of-control juggernaut, it will all have been worthwhile.

 

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“The past is a foreign country; they do things differently there.”

A pipe-smoker from years ago, or perhaps from Yorkshire last week.

Mr Watmough certainly did things a bit differently. He was the geography teacher at my school in Bournemouth back in the 1960s. He doubled as the school’s second-tier, hands-off rugby coach who never once actually played any rugby, and tripled as the drama teacher for the boys who’d chosen drama as their ‘special subject’.

This was the name given to the one-hour period each week in which pupils could learn about a topic not covered by the national curriculum. As the other ‘special’ subjects included chess, running about and, unbelievably, additional maths, I chose drama.

There were around 18 of us budding thespians, not that we would have known what thespian meant at the age of 14. We didn’t have an allocated classroom so met in the dining hall about an hour before the dinner ladies started preparing that day’s heated sludge. We’d read parts of Macbeth, pretend to be other people, improvise dramatic conflicts, learn to project our voices (which we probably understood to mean ‘shouting’) and generally have a welcome break from the day’s usual routine of maths, double maths, corporal punishment and maths.

Mr Watmough smoked a pipe and he probably thought that teaching arty-farty, trendy-wendy drama in a room that wasn’t technically a classroom gave him permission to light up during the lesson. So he got out his pipe, filled the bowl with St Bruno, fished around for his box of Swan Vestas, struck a match, applied the flame to the tobacco until giant plumes of smoke began billowing around him and simultaneously replaced the match back in the box and put it in his pocket.

Then his jacket caught fire.

It wasn’t an instant conflagration by any means. A few moments passed before a curling wisp of smoke began snaking out of his right-hand pocket. We watched transfixed as Mr Watmough continued listening intently to a boy somewhere behind me who was extemporising haltingly about life being but a walking shadow, a poor player that struts and frets his hour upon the stage; the boy’s powers of concentration evidently compromised by the drama unfolding before him.

We should have said something, obviously. Was there not an ounce of common humanity between us? What if it was our own father slowly incinerating before our very eyes?  Of course we’d raise the alarm. And as the flames took hold, one of us did. “Sir!”

“Shut up, Bailey.”

“Sir! You jacket’s on fire!”

Seized by a sudden panic, old Watmough began beating his flaming pocket with a vigour he’d never displayed on the touchline of the rugby pitch. The dining room filled with smoke: from his pipe, from the wood and cardboard of the matchbox and from the material of his ancient sports jacket. I swear I can remember the awful stench of a singed leather elbow patch, although that may be amusing-but-false memory syndrome kicking in.

I was reminded of the incident yesterday when Donald Trump suggested it might be a good idea to give guns to teachers. My experience of teachers – of those who raged and lashed out, who relied on whisky to get them through the day, who seemed to derive pleasure from assaulting and humiliating young boys and who could actually set themselves on fire during a lesson – strongly suggests that this strategy might not be entirely without risk.

 

[edit] Although some boys could do with a clip round the ear!!!!!!!!!11

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The day I met Bernard Manning

Younger readers, this is Bernard Manning.

It’s 1992. I’m a young, fresh-faced freelance copywriter which, amazingly, I still am. I had picked up a few little jobs from a London advertising agency that specialised in film work. That is, they made press ads for when Hollywood films were about to get a video release. I had a lot of fun coming up with ads that were appropriate to the film being advertised, reasoning that this was a key element of my job, but the agency generally rejected my work in favour of a pack shot with the headline ‘OUT NOW ON VIDEO’.

But today my job is a bit different. I am to direct the comedian Bernard Manning in the recording of two radio scripts I’d written. They were to publicise the release of his own video, charmingly titled ‘Banging With Manning’ and allegedly a ‘hilarious’ spoof of sex education videos.

Manning. He was much bigger back then.

I arrive at the Manchester recording studio with the agency’s account lady at the same time as he rolls up in an enormous Cadillac bearing the number plate 1 LAF. No doubt you were supposed to read that 1 as an I in case you were left thinking the plate alluded to the number of actual jokes in one of Bernard’s comedy routines.

The passenger door opens and Bernard, not the lithest comedian on the circuit, grips various parts of the car to leverage himself out of his seat. He waddles across the car park and introductions are made.

“See the boxing last night?” He’s addressing me, correctly assuming that the posh young account lady wouldn’t care one iota about boxing. Neither do I, but I say I missed it while making a face that I hope conveys the idea that this was an unavoidable oversight on my part.

We walk to the studio. “I don’t mind black blokes punching shit out of each other,” he continues, “but I don’t like it when they beat white fellas.”

I don’t have a face ready for a remark like this, much less a suitable vocal response. The account lady and I look at each other. This is going to be interesting.

And it is, and not only in the way I’d been expecting. No sooner does he settle down in the recording studio, still angry about a white boxer being beaten by a black one, than my colleague gets a call from the agency back in London. Apparently the body that oversees the suitability of broadcast advertising has belatedly taken objection to an element of the script. “Which script?” I ask.

“Both of them,” she says.

“What it is about them they don’t like?”

She hesitates. “The word ‘banging’.” The name of the product, in other words.

I glance at Bernard in the booth. Although I can’t hear anything, he seems to be asking the recording engineer questions about the equipment. What’s there to explain? Like all such rooms there’s only a microphone and a pair of headphones, and surely he’s familiar with the former.

“You’re going to have to rewrite the scripts,” says the account manager, “and quickly.”

I look for a place to, er, bash something out while the situation is explained to Manning. He’s not happy. He’s decided that blame for the episode should be laid at London’s door. “Fucking London,” he yells at everyone. “Fucking London idiots,” he adds, getting a bit more specific.

Writing radio scripts isn’t easy. To be honest, I don’t find any writing easy. Those who come up with headlines like OUT NOW ON VIDEO probably do, but I don’t. And although I’m not what you might call precious, I do find a desk and a chair and a bit of peace and quiet help the creative process. Not an enraged shouty comedian stomping about, a product I’m not allowed to mention by name and less than 45 minutes to write and record a couple of 20-second radio commercials.

It gets worse. Once we’re in a position to get something down on tape, it becomes clear that Bernard is as unfamiliar with reading aloud as he is with basic recording equipment. He stumbles over every line, strays from the script, adds pointless pauses and PUTS the emphasis ON all the wrong words. The agency didn’t bring an actual radio producer, someone skilled in the diplomatic art of getting the best work out of the ‘talent’, and all the engineer says after each take is “was that OK?” So it’s down to me to explain to an increasingly impatient Bernard that he needs to read a bit faster, or a bit clearer, or with less yelling, and please can you wait until the microphone’s turned off before saying fucking London wankers.

Luckily, the studio – situated in a largely residential area just outside Manchester, as I recall – doesn’t have any other jobs lined up so we’re allowed to overrun. A couple of hours later we’ve got frayed nerves but two commercials that even the most puritanical member of the radio clearance committee won’t have a problem with.

Recently I was clearing the loft and came across a whole bunch of my old radio ads on C30 cassettes, including the two with Manning. I ordered a bit of kit called the Tonor cassette tape to MP3 convertor, and stuck the least-crap ones on my website. Grit your teeth and have a listen. 5th and 6th ones down.

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The lady in the launderette

In the early 1980s a  job move took me to new accommodation in a flat in Hornsey, north London. By the end of the second week it was time to wash some clothes. Trouble was, there was no washing machine in the flat. Come to think of it, there wasn’t much of anything in this flat. No TV or radio. No stereo. A tiny two-ring hob in a poky kitchenette. There wasn’t much in the way of conversation, either. The only other occupant – the flat’s owner – was a humourless, vegetarian teetotaller. My small room contained an ancient wooden-framed single bed that made such an alarming series of creaks and groans every time I shifted position that the noise would wake me up. I ended up sleeping on the floor.

Two weeks later I’d be out of there, moving to a much more lively flat on the edge of Clapham Common. Sex, drugs, booze and noisy parties all awaited.

But right now I needed my clothes washed. So I stuffed them all into a heavy duty plastic sack and hauled it to Turnpike Lane, the local high street, where I quickly found a launderette.

I opened the door to an uncharacteristically empty shop. In my experience of using these places when living in other flats around London, your typical launderette would be full up on a Saturday. There’d be people chatting, smoking, reading magazines and lifting great baskets of steaming laundry from one machine to another. Everyone would know what to do and the order in which to do it. Crucially, they’d also have the right change for the different types of coin-operated machinery.

I never had the right change. Nor could I face the prospect of dumbly sitting there while the machines slowly did their stuff. I could conceivably zip off to the pub to while away the time, but harboured the fear that I’d come back to find I had missed the end of the washing machine cycle, and an irate customer had angrily dumped all my clothes in a tangled heap.

So I always opted for a service wash, where the attendant – typically a harried, no-nonsense, chain-smoking woman of indeterminate age, dressed in a floral garment made from some electrically-charged synthetic fibre – would for a nominal fee do all the heavy lifting for you. Hopefully without spending too long judging the general state of your smalls.

There was just such an attendant there in the Turnpike Lane launderette. I approach her with my sack of dirty clothes.

“Hi! Do you do service washes here?” She looks at me while she considers the question. You should know the answer to this instinctively, I think.

“Yes, love,” she says eventually. “Yes we do. You want that little lot washed, do you?” She nods at the sack.

“Yes please, that would be great.” I hand the sack over. “How long will it take, do you reckon?” She gives the sack a once-over. “Couple of hours?”

“Great,” I say. She starts to turn away, then stops.

“What, are you going to wait for it?” Well, no. That would defeat the whole time-saving purpose of a service wash. It would also be a bit odd, sitting there watching while someone you didn’t know washed your clothes.

“No no, I was waiting for a ticket. You know.” Back when people used launderettes, you needed a ticket for a service wash. Otherwise anyone could walk in and claim your washing as their own. Or there could be a bag mix-up and you’d get home to find you’d picked up the clothes of a petite 25-year-old PA. So they’d give you a ticket, normally one of those cheaply-printed tear-off raffle ticket affairs.

“Oh right. A ticket.” She puts the sack down and heads off into her little office at the back. I hear what sounds like heavy wooden furniture being scraped across the floor. I turn to have a look around. No one else has come into the shop. Curiously, none of the machines seems to be in action. All I can hear is the steady drone of the traffic outside. Eventually the attendant emerges from the office. But she doesn’t have a ticket. Instead, she’s dragging an enormous pair of old-fashioned wooden step ladders. She plonks it in front of me, extends the legs outwards, rocks the assembly back and forth to ensure it’s stable and begins slowly climbing up.

I follow her progress. When she gets to about the third step, she reaches up and pushes at a ceiling tile. It moves a little. She gets both hands to it and slides it fully out of the way. Then she climbs up on the next step, and the next, until she’s in a position to climb off the top of the ladders and into a black space above the ceiling. She disappears from view.

I stare at the darkly forbidding aperture. The seconds tick by. Anyone glancing in through the window would see a 20-something man standing motionless in front of a pair of tall stepladders in an otherwise deserted launderette. My mouth starts to feel a little dry. The sounds of more objects being moved around reaches me from above. There’s a muffled thump. At least something’s happening up there, I think.

Eventually a leg appears, its foot searching tentacle-like for the uppermost step of the ladder. It makes contact. The attendant slowly descends a few steps, stops to replace the little trapdoor in the ceiling, then makes it all the way back to terra firma. Plumes of dust fly from her crackling nylon housecoat type thing as she brushes herself down. She reaches into a pocket and hands me the ticket.

It’s the customary raffle ticket. I look at the number. It reads ‘1’.

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Born in ’54

2014 is the year I turn 60. No, I can’t believe it either. I wanted to know who and what I share my anniversary with, so here are twenty or so examples of others celebrating their 60th birthday this year.

SUNSILK SHAMPOO

Unilever first launched this famous shampoo in the UK. Now it’s the biggest name in haircare and is sold everywhere. A 1960’s ad campaign for Sunsilk featured a jingle composed by John Barry that was subsequently released as a pop single. Don’t look it up, it’s awful.

UNIVERS

Univers is described as a neo-grotesque sans-serif typeface and was designed by a Swiss guy called Adrian Frutiger. Frutiger also came up with, er, Frutiger. Alas, Univers isn’t on the WordPress menu so you’ll have to settle for whatever this is. Palatino?

THE GEODESIC DOME

A strong yet lightweight structure consisting of a lattice of interlocking icosahedrons, patented (but not invented) in 1954 by American hippy hero R Buckminster Fuller. The best examples in the UK can be seen at Cornwall’s Eden Project.

SLIDING DOORS

Not the movie, the actual thing. One breezy day in 1954, a couple of Texan dudes noticed that the wind was always blowing swing doors open. So they set about inventing the world’s first automatic electric sliding doors. Today it is estimated that there are lots of sliding doors everywhere.

THE MOGEN CLAMP

A tool used in circumcision procedures and invented by Brooklyn rabbi Harry Bronstein. Bronstein’s invention had an inherent design flaw in that the very act of applying the clamp made it impossible for the circumciser to see what he was doing. So Rabbi Bronstein is probably known as ‘that goddamn bastard’ by the various men who lost more than was religiously necessary.

PHOTOVOLTAIC PANELS

Also enjoying its 60th birthday is the photovoltaic or solar panel. Back in 1954 you needed a whole square yard of solar panel to power a single domestic light bulb. Today it’s more like 0.836 square metres.

TRANSISTOR RADIOS

The original transistor radio was called the Regency TR-1 and entered the US market costing £29.45, or about £250 in today’s money. Surviving examples are much sought after by collectors but rarely by music fans. I mean, look at it.

1717 ARLON*

Discovered in 1954 but actually born much, much earlier, 1717 Arlon is a small asteroid with its own tiny moon. It’s visible to the naked eye, but only if you’re viewing it from a spaceship that’s cautiously threading its way through the asteroid belt between Mars and Jupiter.
* Asteroid shown may not be 1717 Arlon

NUCLEAR STUFF

1954 was a big year for all things nuclear. America launched the world’s first nuclear-powered submarine, the USS Nautilus, while Russia built the first ICBM, opened the first nuclear power station and exploded its first hydrogen bomb. Thanks, 1954!

NON-STICK FRYING PANS

Widely and wrongly believed to be an offshoot of NASA’s space program, the trusty non-stick pan was actually invented in France by one Marc Gregoire. However, it is true that US scientists one day saw Marc’s frying pan and thought to themselves ‘wait a minute – space travel!’

WEIRD CULTS

Scientology was founded in 1954. With their belief that everyone on Earth is descended from the souls of murdered aliens, they make practitioners of the Wiccan pagan religion, also founded in 1954, seem positively rational. Tom Cruise is a famous Scientologist, while Alan Whicker was a Wiccan*.
* Wasn’t

THE BLACK BOX

The guy who can probably claim most credit for the invention of the modern flight recorder is an Australian called David Warren. There are two things we know about the black box. One, they aren’t black and two, we’ll probably never find the one from flight MH370.

BLOOMSDAY

The annual Dublin event (read ‘pub crawl’) celebrating the life of Irish writer James Joyce. The day is named after Leopold Bloom, the main character in Joyce’s book Ulysses. Have you ever read Ulysses? Neither have I.

LOVE HEARTS

When I was growing up in the 60s, these iconic items of confectionery carried messages like ‘Groovy’ and ‘Swing it’. There’s currently a competition to dream up aphorisms for their 60th anniversary, so expect to see lots of OMGs, WTFs and ROFLMAOs. DYSWIDT?

1954 MOVIES

There were some good ones, like On The Waterfront and Rear Window, as well an abomination called The Silver Chalice, starring Paul Newman in his first role. When the film ran on TV in 1966, Newman took out ads in the trade press begging people not to watch it. His plea inevitably backfired.

MUSIC OF 1954

Mantovani, Dean Martin and Max Bygraves were the year’s big hitters. Bill Haley briefly lit up the charts with Shake, Rattle & Roll, but it wasn’t until 1955 that rock ‘n’ roll really took a hold. The number one when I was born was ‘Cara Mia’ by David Whitfield. I considered adding it to my party’s playlist. Then I listened to it.

THE ROUTEMASTER

Who doesn’t love the iconic Routemaster? Apart from people in wheelchairs, I mean? Some 2,876 Routemasters were built between ’54 and ’68, with 1,280 still in existence. They’re still operated on the ‘heritage’ routes 9 and 15 – plus there’s a phantom Routemaster that occasionally ‘appears’ in W10.

MONSTERS OF ‘54

Specifically, Godzilla and The Creature from the Black Lagoon, both of whom made their first appearance that year. Godzilla dealt with the prospect of humanity unleashing something beyond its control, i.e. atomic weapons. The Creature from the Black Lagoon was just a monster movie, although a 2014 remake is slated to be about the pollution of the Amazon.

FALSE NAILS

Artificial nails had been around for centuries, but the type used today came about by accident when US dentist Fred Slack broke a nail and used the tools of his trade to make a false one. The rest, as nobody says, is history.

THE ELECTRIC TOOTHBRUSH

The first one was called the Broxodent and it was invented by a Swiss dentist named Dr Phillipe-Guy Woog. Dr Phillipe-Guy Woog never met Dr Robert E Moog, or who knows what we’d have been subjected to whilst brushing our teeth.

SUBARU

Subaru is part of the Fuji Manufacturing Corporation. Not a lot of people know that. Subaru is the Japanese name for the Pleiades star cluster. Not a lot of people know that, either. And in the US, Subarus are popular amongst lesbians. Who the hell knew that?

FAMOUS DUDES

Simpsons creator and massive Zappa fan Matt Groening was born in 1954, along with John Travolta, Neil Tennant, Denzil Washington, Elvis Costello, Ang Lee, James Cameron, Ray Liotta, Annie Lennox, Angela Merkel, Arthur Smith and Jermaine Jackson.

Arthur Smith provided the comedy for my 40th birthday party. He was brilliant.

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President Who: One weekend, two momentous events

If they haven’t started already, the next few days will see plenty of people attempting to tell you where they were the day President Kennedy was assassinated. I’m afraid I’m about to join them.

My account of the incident won’t help our understanding of it or provide much of a snapshot of life in 1960’s Britain, but it was certainly a significant event of my childhood. So I’m recording it here because, one, some horrible illness may one day prevent me from remembering it with any clarity, and two, the act of writing it down rather than telling you orally means I won’t see you start scanning the room for someone more interesting to talk to.

So. It’s a Friday evening in Bournemouth, England. My dad has to collect something from the home of his mother-in-law who lives about a mile away. He doesn’t want to do this at all; he just wants to eat supper and start his weekend. But for some reason the errand has to be done now. He gets me and my brother to go along with him.

How does this help? Well, my dad has a stiff leg; the result of being shot during the war. Walking presents no problem but climbing up and down stairs is a little trickier. So my brother and I are dragooned into helping. We’ll be able to bound up the stairs, grab whatever it is we’ve been sent to collect, and charge back down to dad who’ll be waiting in the car with the engine running.

Another reason might be that dad won’t have to get into a potentially evening-sapping conversation chat with granny. Why he chose to take two sons when one could have done the job just as well is a mystery. Give mum a bit of peace, maybe.

President John F Kennedy, moments before the fatal shots that etc etc
Credit: Reuters

Anyway, we get to grandma’s house and run up the stairs to find her huddled close to the radio. (She’d have called it the wireless, of course.) She looks up and tells us that the President of America has been shot. We sit down and listen to the announcer for a while. I was only 9 years old but I’d heard of President Kennedy and, even if I didn’t understand then what a huge event this shooting was, the tone of the announcer’s voice must have told me that it was very grave indeed. We listen as the news unfolds until eventually we hear our dad sounding the car horn. We grab whatever it is we were sent to collect and rush downstairs to the waiting car.

Dad’s furious. Why did we take so long? When my brother tells him that we were listening to news about the President being shot, he doesn’t believe us. He thinks my brother’s making it up. I chip in and tell him that it’s true, but he won’t have it. He’d prefer to think we’re storytelling than imparting the biggest news story since war was declared. So he drives us home in angry silence. We’re angry too: the worst thing when you’re a kid is not being believed by an adult. Especially when it’s your own father.

Salvation of a sort occurs as soon as we pull up in front of the house. Through the kitchen window we can see mum staring straight ahead. Uncharacteristically, she doesn’t acknowledge our arrival. We go indoors and notice that she’s actually crying. Dad asks her what the matter is. Through tears she tells him that President Kennedy is dead.

“Christ, not you as well!” shouts dad.

Not really. That would have been a good punchline to the story but the truth is, my memories of the day stop at that point. My only other Kennedy-related reminiscence is of a special assembly held the following week at school. Everyone was told to pray for America and for the world. Me and Steve Green had a go at praying when I went round to his house for tea, but we soon started giggling and changing the prayer to include the presents we wanted for Christmas. A Johnny Seven for me, probably.

Death and birth

The other big event that weekend in 1963, as everyone knows by now, was the first-ever transmission of Dr Who.

It struck me then as being unlike any children’s television programme I had previously seen. Clearly aimed at kids but with quite sophisticated ideas, it’s probably true to say that discussion of this new series overshadowed talk about Kennedy’s assassination in school playgrounds on the following Monday. I still believe that the thinking behind the Tardis warrants the tag of genius. A time-traveling machine that was bigger on the inside than the outside fits perfectly with the theme of ‘time and relative dimensions in space’, AND gave the writers carte blanche to do what they like within the Tardis’ four (?) walls, subject to the  production department being able to achieve it. Then, devising a backstory that ‘explained’ the appearance of the Tardis (it was supposed to adapt to whatever environment in which it materialised, but there’d been a fault with the mechanism) was another masterstroke. It was also  deliciously British – there was never a problem with the Enterprise that wasn’t the result of battle.

Cantankerous old bastard – the first Dr Who, played by William Hartnell. Plus other actors.

Did I do the now clichéd thing of hiding behind the sofa during the scary bits of Dr Who? Yes I did. The series that particularly frightened me was the second time the Daleks made an appearance. Their arrival in London brought the terror too close to home and made the sense of hopelessness all too real.

So there we have it. One life-changing weekend – or life-ending, depending on who you were – in November, 1963.

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VHStalgia

That looks a bit like the name of some extreme Nazi PoW camp rather than the amusing portmanteau word it sounded in my head. Nevertheless, it sums up what we have here: a nostalgic look back at a few VHS cassette boxes.

Too soon? We’re all still obsessing with audio C90s? Oh well. These’ll still be here when the next retro phase kicks in.

A trip down Memorex Lane

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